On Sensitivity: An Artist’s Trust
Ever have one of those times when you meet someone for the first time, and you start talking as if you have known each other forever? Or as if you are picking up on a conversation you have been having for a long, long time?
A girl, drenched in sweat, exhausted from the strain of dancing her thoughts away, having had no sleep and minimal food for over forty hours, started telling me about a boy in her creative writing class whom she developed feelings for. Who crept into the crevices of her being. Who told her she was beautiful. And who—let’s just say, took her to a place where friends don’t go to. Afterwards, he told her that he was not looking for a relationship.
She did not explicitly address the pain of rejection. She described the strain she underwent in trying to “catch his light.” She described an emotional fog. She spoke of an inability to weep. She spoke of all this with an odd detachedness, as though listing an endless array of symptoms to a diagnostician.
I found myself asking her how his writing is. She told me that it’s brilliant, and that he displays a remarkable sensitivity to the world, to human nature.
It didn’t compute for me. “How is it that you are sensitive in your writing,” I asked, “but you are not sensitive about others’ feelings? That you don’t have kindness towards humanity?”
“He wasn’t that way with me,” she explained. “But he is that way with others. He didn’t have feelings for me, but if he does for someone else, and he is committed to them, he will be kind towards them, and he will be good. I know it.”
It still didn’t compute for me. He could very well be exploding with tenderness, generosity, and sensitivity when he was in a committed relationship. But it seems terribly strange that as she undergoes this kind of anguish, he is off the hook. In a world where there don’t seem to be any absolutes, she is forced to bear the part of his sensitivity that was a curse, while he bestows the world through a sensitivity that is wholesome. The unavoidable, looming fact is this: he is a source of immense pain to her. His writing may be brilliant and sensitive, but he displayed a blatant insensitivity to her feelings, which, to me, is squandering one’s gift.
Sensitivity, the ability to see nuance, is a gift, a sacred trust. It does not matter if this gift gets used for artistic purposes or not—that’s what it is. But artists are very susceptible to squandering this gift. Artists are sensitive to sights, sounds, and beauty, and their means of talking can be enticing for others.
I believe this intuition is entrusted to us to be used in a certain way. A devout Muslim artist, I feel, has an approach to their art that should reflect their approach to humanity. They may strike luck and make the most of this gift: perform heartwrenching spoken poetry, write bestsellers, and compose soul-stirring music. But if they are not compassionate towards humankind, not mindful of their behavior towards others, not according humans the adab they are due, I believe that the baraka in their work will gradually be diminished. Even if they are successful, I think they will, in some way, be taken into account for not being consistent, for not respecting the element of tawhid, of oneness, of consistency and beauty in all their actions.
A Muslim should be striving to do all things with equally pronounced perfection and beauty. They should not be smiling at the sales rep, then going home and speaking to their spouse in monosyllables. They should not be painting magnificent depictions of nature, yet paying no heed to the way they dress. They do not break a friend’s heart and then continue to write and love wholesomely.
If they do, then well, in my mind, it does not compute. It does not compute.
And Allah is the Judge, the Seer, the Knowledgeable, and Forgiver, of all things.